Dance show audience wowed and astounded

Ballroom Blitz
Regent Theatre
Friday, June 14
 

Having gone into the Regent for this performance with no prior knowledge or expectations, I was blown away by the power, passion and precision from the dancers of Ballroom Blitz.

Produced by Anthony Street, the creative mind behind Celtic Illusion, this production is multi-layered and a whole stage show complete with live band to support and enhance the experience.

The opening number certainly set the scene for a colourful and high-energy night of dance full of Latin flavour with a hint of traditional ballroom feeling.

There were also tender, whimsical moments that provided a chance to breathe and the old school (Hollywood) glamour shone in the second piece.

The stunning duet of Julz Tocker and Ash-Leigh Hunter to Des’ree’s Kissing You was a standout performance. It was romantic and delicate and showed beautiful lyricism and musicality from the dancers as too did the tender duet to Unchained Melody.

Another highlight at the other end of the scale was the sensationally dramatic Paso Doble — the cheers and whoops from the audience were thunderous, as they were throughout the night. Josh O’Grady’s acrobatic flair also impressed.

The dazzling choreography is from champion dancer Aric Yegudkin, of Dancing With The Stars fame. From blurring foot movements to impressive lifts and dizzying spins, Ballroom Blitz wowed the audience from start to finish.

Fantastic vocals covering many different genres were performed by Justin Rynne and Perri Espinoza, accompanied by the fabulous band headed by musical director and New Zealander Hayden Baird on sax.

Everything from Whitney Houston to The Righteous Brothers, Elvis and Little Richard was matched perfectly to each dance piece, showcasing that ballroom dancing is actually not for the fainthearted. And, of course, the performance had to end with Sweet’s Ballroom Blitz.

While not a sold-out performance, those who attended it were utterly wowed and astounded, leaving the Regent exhausted, but in a good way.

Review by Penny Nielson

 

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